This paper discusses the thematic of experimental writing to provide a new dynamism to Anglophone fiction. The aim is to make visible the transformation of English-speaking society through revolutionary writing that structures the imaginary. More specifically, the aim is to use experimental writing to explore new critical representations of society by means of an independent analytical reading of the proposed text. It proposes an ordered explanation and analysis of what is at issue in the text, the author's intentions and the effects produced on the reader, and at the same time requires an explanation of what the author is saying in his text, how he is saying it and why he is saying it, in order to account, by means of the theoretical particularities of experimental writing, for the heterogeneous perspectives of Anglophone cultures.